It may not be Cronenberg's best work, but it still stands as a memorable picture due to its dark bizarreness.
It may not be Cronenberg's best work, but it still stands as a memorable picture due to its dark bizarreness.
When initially watching The Legend of Ochi, you can't help but get absorbed in its style.
A good love story makes us understand the reason our characters love each other, or find the chemistry between the characters, not just because it's the name for whoever is supposed to make out on the call sheet.
Instead of making another show with the simple psychology of Empire bad, Rebels good, Tony Gilroy makes a show about the moral gray area of the Rebellion.
Drop isn't a pretentious movie. It's more like a B film with a slightly higher budget and colorful cinematography that's a disappointing bore.
For a flick about being creative, it's unimaginative
The Ballad of Wallis Island is a resonant, serene picture whose cast doesn't go to waste.
Warfare is simply about an event that's about survival and heroism over a traditional narrative
A Working Man is a clichéd one-liner B-grade movie, and there's nothing wrong with that.
As long as audiences keep paying money for the live-action remakes, Disney will continue to fall into that black hole of trite movies.
The Alto Knights is just another mob movie that's overshadowed by Nicholas Pileggi's previous superior work.
There's some dark humor to be had here, and I like it.
The plot is a little muddled. It was difficult to figure out what was going on at times. Yet, it doesn't hinder an intricate study of what love really is and the strained reliance we have on our protection agencies.
Nobody does zany quite like Bong Joon Ho. Mickey 17 is no exception.
With enough tension and strong aesthetics, Last Breath is an absorbing enough story that will have you rooting for the characters during their retrieval mission.
Although The Monkey is a horror film, it's far more effective as a comedy.
Captain America: Brave New World isn't brave or new. It's very much the same, with a sense of disorganization.
Parthenope is the type of film cinephiles, and people pretending to be cinephiles like to drool all over instead of seeing it for what it really is.
Like many logical loopholes the movie takes, Love Hurts lacks whatever sweetness it pretends to have in a disposable film that will be forgotten as fast as a piece of heart candy.